Analysis of the Morphological Evolution and Development Path of Film Images in Cross-Media Narratives

作者：娇 宁 · 发表于：Journalism and Communications · 年份：2026 · DOI：10.12677/jc.2026.148207 · 研究领域：Educational Reforms and Innovations、Regional Development and Environment、Narrative Theory and Analysis

在全媒体时代背景下，电影的传统形态及发展模式正在发生着巨大变化。跨媒体叙事带来了一系列新的影像形式。本文基于跨媒体叙事理论和再媒介化原理，对全媒体时代下电影的类型、产生过程及发展方式进行系统总结，结合《长安的荔枝》等具体的例子，探讨跨媒体叙事对电影制作、流通、消费以及产业边界的改变。本文得出结论：数字技术和生产力新变化的加持使得电影有了更加多元化的发展道路。跨媒体叙事并没有取代电影本身的存在，而是成为了电影美学更新和产业升级的重要力量。针对目前电影内容同质化严重、技术和艺术失调的现状，本文提出了提高原创性、均衡技术与艺术等建议，希望能对中国电影产业的前行和国际传播提供参考依据。In the context of the all-media era, the traditional form and development model of films are undergoing significant changes. Cross-media narrative has brought about a series of new visual forms. Based on the cross-media narrative theory and the principle of re-mediation, this article systematically summarizes the types, production process, and development methods of films in the all-media era. By combining specific examples such as “Chang’an’s Lychee”, it explores the changes brought about by cross-media narrative in film production, circulation, consumption, and the boundaries of the industry. The conclusion drawn is that the addition of digital technology and new changes in productivity has enabled films to have a more diversified development path. Cross-media narrative has not replaced the existence of films themselves, but has become an important force for the renewal of film aesthetics and industrial upgrading. In response to the current situation of serious homogeneity in film content and the imbalance between technology and art, this article proposes suggestions such as enhancing originality and balancing technology and art, hoping to provide reference for the progress of the Chines...